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Will turn www.example.com into [URL]http://www.example.com[/URL].
Buncha stuff: Jack Faust, by Michael Swanwick; The Girl Who Fell Beneath Fairyland and Led the Revels There and The Girl Who Soared Over Fairyland and Cut the Moon in Two, both by Catherynne M. Valente; and Lock In, by John Scalzi.
Heart of Darkness, Joseph Conrad.
Short, but incredible dense and dripping with metaphor. I can see why it frustrates some of the reviewers on Good Reads, but personally i find it really immersive. Looking forward to rewatching Apocalypse Now when I'm finished!
Read Voice of the Whirlwind, by Walter Jon Williams, and started Career of Evil, by "Robert Galbraith" (J.K. Rowling).
Reading the latest John Sanford: Lucas Davenport novel. It just came in yesterday. I thought I had all of The Prey series but I don't count 26 novels on that shelf.
Extreme Prey looks great so far, an assassin plans to kill a Hillary-like candidate. (I'm on HIS side)
I like your latest signature line, I had never seen that quote from Freud before.
Hardwired, by Walter Jon Williams, and The Missing, by Tim Gautreaux.
Also Ken MacLeod's The Corporation Wars: Dissidence.
The Whites, by Richard Price.
Just finished Too Like the Lightning, by Ada Palmer. Now reading This Census-Taker, by China Miéville.
The Revenant by Michael Punke
Originally Posted by bappy164
"Gitanjoli" by Robindranath Tagure
Tell us about that --perhaps with a post--someday.
I plan on looking at the BHAGAVAD-GITA [in English] soon...
It has this concept of Eternal Recurrence and Western (German) philosopher Friedrick Nietzsche also had a concept of Eternal Recurrence but I believe they are (almost) completely at odds.
Only reading will tell.
Read A Deadly Shade of Gold, by John D. MacDonald (old but good). Reading Undermajordomo Minor, by Patrick deWitt.
Into Everywhere, by Paul McAuley, and My Struggle: Book Five, by Karl Ove Knausgaard.
"Gitanjoli" by Robindranath Tagure
DOOG has done an amzing feat for which he had to call up da CaaT and even earned some praise: He read a work of fiction and said work was some 1,157 (or so) pages.
Somewhat disappointed with ending --is that all there is?-- and feel somewhat taken in as if , well look at all the history, science etc I could have read in 1,000 plus pages and walked away smarter.
Some great fiction leaves you smarter but I can't say that 1Q84 left me so enlightened.
the question arises: "Why did I not stop?" There must have been something there and maybe like Hitchcock wants you wondering what is next. The quality of writing--which mentions Chekov's Law that if a gun is mentioned is has to be fired includes all manner of details that add nothing to plot or character development as the author were being paid by the word like Dickens or Dostoievski except he's neither. So leves me wondering...maybe the strange plot line..still needs editing.
Back to non-fiction except to re-read L'Etranger and maybe other novels per Camus (Le Chute ?)..wait for a list of others...including Kissinger World Order (better than expected) and Ha-Joon Chang Economics The Users Guide i.e. political economy rather than econometrics.- Paul Johnson History of Jews..biased but brilliant at times...Julian Jaynes, Physics and Philosphy
If I ever mentioned any before its because I read non-fiction in installments.
Byron's Don Juan (rhymes with "screw one").
Plot, place, language, social satire, and a genuine fondness for his characters. What's not to like?
Why don't you write a "column" on Anthony Trollope...explaining his attractions.
Finishing Trollope's "Palliser" novels: The Prime Minister and The Duke's Children. Started A Burglar's Guide to the City, by Geoff Manaugh
Started Trollope's Phineas Redux. Read the last two of Mary Robinette Kowal's Glamourist Histories, Valour and Vanity and Of Noble Family.
Read a whole buncha stuff that I neglected to post. Three by Mary Robinette Kowal: Shades of Milk and Honey, Glamour in Glass, and Without a Summer. Three more Trollopes: Can You Forgive Her?, Phineas Finn, and The Eustace Diamonds. Also reading Medusa's Web, by Tim Powers, and Metropolitan, by Walter Jon Williams.